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SXSW 2025: Made in the USA

By Lauren Wissot

SXSW 2025: Made in the USA

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“This Bandit Art Collective”: Jeremy Workman Strikes Gold With ‘Secret Mall Apartment’

By Dan Schindel

“This Bandit Art Collective”: Jeremy Workman Strikes Gold With ‘Secret Mall Apartment’

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Miami Beach Mayor Withdraws Proposal to Defund and Evict O Cinema

By Natalia Keogan

Miami Beach Mayor Withdraws Proposal to Defund and Evict O Cinema

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“You Couldn’t Have a City Without a School”: Claire Simon on ‘Elementary’

By Natalia Keogan

“You Couldn’t Have a City Without a School”: Claire Simon on ‘Elementary’

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Miami Beach’s O Cinema Challenges Mayor’s Threats of Eviction Over ‘No Other Land’ Screenings

By Natalia Keogan

Miami Beach’s O Cinema Challenges Mayor’s Threats of Eviction Over ‘No Other Land’ Screenings

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Sundance 2025: Sowing Seeds

By Matazi Weathers

Sundance 2025: Sowing Seeds

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The Future of NEA Funding for U.S. Documentary Film Nonprofits Remains in Limbo After Anti-DEI and “Gender Ideology” Executive Orders

By Natalia Keogan

The Future of NEA Funding for U.S. Documentary Film Nonprofits Remains in Limbo After Anti-DEI and “Gender Ideology” Executive Orders

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Sundance 2025: Think Before You Point

By Ishita Sengupta

Sundance 2025: Think Before You Point

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Work in Progress: Archival Producers Alliance Release New “Working with Archival Producers” Guidelines

By Natalia Keogan

Work in Progress: Archival Producers Alliance Release New “Working with Archival Producers” Guidelines

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“Working with Emptiness”: Oleksiy Radynski Discusses His CCTV Chornobyl Doc ‘Special Operation’

By Sonya Vseliubska

“Working with Emptiness”: Oleksiy Radynski Discusses His CCTV Chornobyl Doc ‘Special Operation’

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“I Didn’t Want to Have ‘Migration’ in the Title”: Sam Abbas on ‘Europe’s New Faces’

By Natalia Keogan

“I Didn’t Want to Have ‘Migration’ in the Title”: Sam Abbas on ‘Europe’s New Faces’

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Democratizing Film Funding Was Never Going to Be Easy

By Anthony Kaufman

Democratizing Film Funding Was Never Going to Be Easy

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